Drive Theory  - multimedia interactive work for b.cl, bsn, bar. sax, hn, trb, vla, vlc, d.b, harp, 3x perc, 8-12'
Esoteric Mass  - animated and standard notation for 16 winds and/or strings, 9’
PUSH  - animated notation for any ensemble, 2'
Protean lair  - for flute, clarinet, violin, viola, cello, trombone and piano, 1'
Penis envy  - graphic notation for any 4 instruments/voices
Vacuum + -  - animated and standard notation for harp, percussion, clarinet, 4’
lohanimalia  - animated and standard notation for cello, bassoon, prepared tuba, 2 double basses, electric guitar, ring modulator and 3 conga drums, 5’
Duo & solo
Intrinsic Rift  - electro-acoustic work for viola and accordion, 9-10'
Elastic Limit  - animated and standard notation for solo viola and video, 13'
Granularity  - animated and standard notation for solo harp and interactive video, 6'
Viscosity  - for solo bassoon and video, 4'
The Cancerous Cell  - live audio/video performance for two performers, 5-7'
Man bathes in flesh-colored injustice  - for solo bass clarinet with electronics/video, 2'
Dálás (deadlock)  - graphic and animated notation for any 2 instruments and electronics, 8’
2 víti [2012-2013] - animated notation for 2 electric guitars and electronics, 4’
The oneness of 2 is 1  - for harp and percussion, 6’
Haters gonna hate  - for bassoon, percussion and image, 3’
Ímynd Guðs  - for mixed choir
HYSTERONS  - audio/video installation
Atrophies  - audio/video installation
hyperobjectivity #1  - for midi-pipe-organ and electronics, 7'
The Cancerous Cell  - interactive installation
Blue Crush  - video work
Esoteric Mass #2  - interactive installation
written by Bergrún and performed by Orphic Oxtra:
Skeletons Having Sex on a Tin Roof  (LP Kebab Diskó) (derived loosely from Swords of Chaos's Skeletons Having Sex on a Tin Roof as found on the LP The End is as Near as Your Teeth) - 3’
Melodick  (LP Orphic Oxtra) - 2'