Drive Theory  - intermedia work for chamber orchestra, 8-12'
Esoteric Mass  - animated and standard notation for 16 winds / 12 strings + 4 winds, 9’
Skin In  - intermedia work for 2x violin, 2x viola, 2x cello and solo percussion, 12’
Strange Turn/Narwhal  - for violin, viola, cello, harpsichord and light, 10'
O  - for flute, clarinet, violin, viola, cello, piano, percussion and video projection, 10'
BAE (before anyone else)  - intermedia interactive work for 4-6 performers, 7'
Areolae Undant  - intermedia interactive work for contrabass clarinet, english horn/alto flute, 2x cello, 2x percussionists, 15'
Push  - animated notation for any ensemble, 2'
Protean lair  - for flute, clarinet, violin, viola, cello, trombone and piano, 1'
lohanimalia  - animated and standard notation for cello, bassoon, prepared tuba, 2 double basses, electric guitar, ring modulator and 3 conga drums, 5’
duo & solo
Cumulus  - intermedia work for solo percussion and live electronics, 11’
Temperance  - for viola d'amore and tape, 7'
body harmony in the field of time  - intermedia work for solo voice
Allt Eins og Blómstrið  - intermedia work for stringloom and Lokkur, 13'
Intrinsic Rift  - for viola and accordion, 9-10'
Viscosity  - for solo bassoon and video, 4'
The Cancerous Cell  - live audio/video performance for two performers, 5-7'
Dálás (deadlock)  - for any 2 instruments and live electronics, 8’
2 víti [2012-2013] - animated notation for 2 electric guitars, 5’
The oneness of 2 is 1  - for harp and percussion, 6’
Cumulus  - intermedia work for solo percussion and live electronics - in installation form
Hysterons  - audio/video installation
Atrophies  - audio/video installation
The Cancerous Cell  - interactive installation
Blue Crush  - video
written by Bergrún and performed by Orphic Oxtra:
Skeletons Having Sex on a Tin Roof  (LP Kebab Diskó) (derived loosely from Swords of Chaos's Skeletons Having Sex on a Tin Roof as found on the LP The End is as Near as Your Teeth) - 3’
Melodick  (LP Orphic Oxtra) - 2'